Martsinkevich's anti-gay group and its videos began to surface in the West the same year that the Russian federal government signed a national law criminalizing as "homosexual propaganda." The law has since been used to shut down LGBTQ youth groups, educational sites as well as to fire gay teachers, arrest people demonstrating for LGBTQ rights and harass queer citizens out of the country. Similarly, most of these "prostitutes" were teenagers and some of the "older men" were themselves older teens or young adults in their early 20s. The campaign also spawned a spinoff group, Occupy Gerontophilia, which targeted young gay people accused of "prostituting" themselves to older men. One of the most popular groups had 75,000 followers, according to the American tech news website The Verge. On Vkontakte, the videos propelled the creation of hundreds of groups devoted to Occupy Pedophilia.
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Martsinkevich posted the videos through YouTube, Facebook and Vkontakte, the Russian equivalent of Facebook, where they were widely shared and admired.
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Maxim Martsinkevich on Russian television in 2012. Many of the videos also featured anti-gay slurs and homophobic statements. While Martsinkevich claimed that the videos only targeted pedophiles-purporting to "reform" them or at least punish them as police should-many of the people in his video were teenagers including some aged 15 or younger. Martsinkevich's group claimed to have tortured over 1,500 men. In one video, Martsinkevich brandished a two-pronged fork towards a young man's eye and told him that he could either lose his eye or be sodomized with the fork.
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In many of his videos, Martsinkevich and his cohorts punched and slapped the gay men, forced them to strip to their underwear, shaved their heads in reverse Mohawks, painted rainbows in the sheared stripes upon their heads, forced them to hold sex toys, made them state their full names, had them utter self-denigrating statements like "I suck c*ck" and also forced them to drink urine.
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Martsinkevich-the founder of a Russian Neo-Nazi group called Format 18 (18 being an alphanumeric code representing the first and eighth letters of the alphabet, "A" and "H" for Adolf Hitler)-had been arrested, convicted and imprisoned three times previous to his most recent incarceration, each time for inciting ethnic hatred in public or through his online videos. Tubstrip on Amazon.Maxim Martsinkevich, the 36-year-old Neo-Nazi founder of Occupy Pedophilia, a Russian vigilante group that tortured suspected gay teenagers on video, has reportedly committed suicide while serving a 10-year prison sentence in Siberia for an unrelated violent offense, according to the Moscow Times. Jordan Schildcrout is Associate Professor of Theatre & Performance at SUNY Purchase.Ĭhelsea Station Editions is distributed by Ingram. He went on to have a major career in gay male pornography, directing numerous award-winning films between 19, such as More of a Man, Flesh & Blood, Dream Team, and Buckleroos. Jerry Douglas, a graduate of the Yale School of Drama, was pursuing a career in the legitimate theatre while also writing and directing “all male” films, including the classic The Back Row. This edition also features rarely seen publicity photos, posters, and advertisements from the original production of the play. Despite its unprecedented success and acclaim, the play was not officially published until 2019.Īlong with the debut publication of the script of the play, this edition includes a foreword by Jordan Schildcrout titled “Tubstrip and The Erotic Theatre of Gay Liberation”, which examines the significance of the play as one of a wave of erotic gay plays (most of them forgotten or lost) that emerged between 19.
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The play, often dismissed by mainstream critics but hailed as “funny, sexy, and important” by the gay press, ran for 140 performances off-Broadway, then toured to eight cities over nine months, and returned to Broadway starring the legendary adult film star Casey Donovan in the lead role. Jerry Douglas’s Tubstrip, a risqué comedy set in a gay bathhouse, was a popular sensation when produced onstage in 1973-1974, in the era of gay liberation and the sexual revolution.